[Liuhum] Invitation - "Deep Futures, Radioactivity and the Arts": The Eco- and Bioart Lab Webinar, 18th January, 13:15-15:00 CET

Fri Jan 5 18:34:42 CET 2024

Dear all,

First and foremost: we wish you a happy 2024! May this new year be more peaceful, caring and much kinder to everyone, human and nonhuman.

It is our great pleasure to invite you all to the upcoming Eco- and Bioart Lab event – the webinar on “Deep Futures, Radioactivity, and the Arts”<https://ecobioartlab.net/2024/01/05/deep-futures-radioactivity-and-the-arts-the-eco-and-bioart-lab-webinar-with-erich-berger-oulu-university-fi-and-dr-thomas-keating-linkoping-university-se-18-january-on-zoo/> with our speakers and presenters: artist and doctoral researcher Erich Berger<https://www.oulu.fi/en/researchers/erich-berge> (Oulu University, FI) and postdoc Dr Thomas Keating <https://liu.se/en/employee/thoke43> (Linköping University, SE).

The webinar takes place on 18th January 2024 at 13:15 – 15:00 CET on Zoom.

With this event we also launch a series of spring webinars focused on the thematic of the lithic and the arts. Thus, in case questions of geology, earthly matter(s), their temporalities, aesthetics  and ethico-politics are dear to you, do make sure to stay tuned!

Participation is free of charge, but you need to REGISTER for the webinar by following the link: https://bit.ly/R4d1O4c

Below you may find more information about the presentations and our speakers.

“Deep Futures, Radioactivity, and the Arts”: The Eco- and Bioart Lab Webinar

18th January 2024, 13:15-15:00 CET on Zoom<https://bit.ly/R4d1O4c>.

The event is conceptualised as a space of dialogue anchored in two presentations:

Of Landscape Machines and Spectral Landscapes

Abstract:
In my fieldwork-based artistic research practice, I extensively work in landscapes with heightened natural and anthropogenic radioactivity, potential uranium mining sites, nuclear infrastructure, and nuclear heritage sites in Finland and abroad. How to live with the nuclear in the present and what will the future inherit from us? These questions are the central vantage point of my artistic practice concerned with the nuclear Anthropocene. Nuclear heritage is an example of anthropogenic deep future impact. It is now that we draw the temporalities that future human generations and other entities must embrace. As we implicate ourselves intentionally or inadvertently with processes which outlive us as individuals, we could also equip ourselves with the necessary tools and languages to understand their consequences. In my presentation, I will introduce my artistic work and raise the question of how art can assist in fostering an imagination that connects the present with deep more-than-human futures.

Bio:
Erich Berger is a doctoral researcher, artist and curator based in Helsinki. He works at the University of Oulu in Finland, where he conducts transdisciplinary research into how artists approach temporalities beyond human-centred time, intersecting cultural anthropology with art and geology. His current artistic focus lies on issues of deep time and hybrid ecology which led him to work with geological processes, radiogenic phenomena and their socio-political implications in the here and now. Websites:
https://randomseed.org<https://randomseed.org/>
https://www.oulu.fi/en/researchers/erich-berger

Speculative techniques: Nuclear waste burial and the management of deep earth futures

Abstract:
The development of ‘permanent’ or ‘final’ repositories for nuclear waste Sweden and Finland relies on a set of technological, aesthetic, and temporal logics for managing the distant future – conceptualised here as the speculative techniques of nuclear memory communication. Whilst integral to the way these nuclear waste burial sites are constructed and managed by experts, these logics are sometimes difficult to detect and applied indirectly by experts without explicit recognition. Drawing on my current research with Prof Anna Storm writing a Key Information File for a nuclear waste repository that must last 100,000 years, I set out some avenues for investigating these speculative techniques. Understanding and identifying these techniques is potentially fruitful, I argue, because they are integral to the way deep earth futures are rendered ‘manageable’ in formal practices of permanent nuclear waste storage.

Bio:
Dr Thomas Keating is a postdoctoral researcher at Linköping University, SE. Keating’s work intersects cultural geography and process philosophies, and engages with problems involving human-technology relationships. He has recently published on nuclear memory (Progress in Environmental Geography), techno-genesis (Progress in Human Geography), geophilosophies (Subjectivity), speculative empiricism (Theory, Culture & Society), and Speculative Geographies (Palgrave Macmillan). He is currently writing a document for the Swedish Nuclear Waste Management Company (SKB) for their nuclear waste repository to last 100,00 years – see: https://nuclearmemory.wordpress.com/. Contact: thomas.keating[at]liu.se<mailto:thomas.keating at liu.se>

[https://ecobioartlab.files.wordpress.com/2024/01/ebl-deep-futures-poster-ver-2.jpg?w=768]
Image included on the poster: Kovela – Rare Earth Element Deposit, gamma radiation intensity distribution, Erich Berger 2020

REGISTER HERE: https://bit.ly/R4d1O4c
Facebook event<https://fb.me/e/1vQXnImGY>

Dr. Marietta Radomska | Assistant Professor of Environmental Humanities | Head of unit  (Gender Studies) | Director of The Eco- and Bioart Lab<https://liu.se/en/research/the-eco-and-bioart-lab>: https://ecobioartlab.net/ | Founding Member of Queer Death Studies Network: https://queerdeathstudies.net/<https://queerdeathstudies.wordpress.com/>  | Division of Gender Studies (Tema Genus), Department of Thematic Studies (Tema), Linköping University, SE-581 83 LINKÖPING, Sweden | LiU web: https://liu.se/en/employee/marra73 | Personal web: https://mariettaradomska.com/ | E-mail: marietta.radomska at liu.se | tel. +46 (0) 13 28 6694

CHECK OUT THE LATEST NEWS from The Eco- and Bioart Lab<https://ecobioartlab.net/news-4/>

Select latest publications:

Ecologies of Death, Ecologies of Mourning: A Biophilosophy of Non/Living Arts<https://journal.fi/rae/article/view/127532>. 2023. Research in Arts & Education. Special issue on Death 2/2023: 8-22. https://doi.org/10.54916/rae.127532

State of the Art: Elements for Critical Thinking and Doing<https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing> 2023. Book co-edited together with E. Berger, M. Keski-Korsu, and L. Thastum. Helsinki: Bioart Society.

Fathoming Postnatural Oceans: towards a low trophic theory in the practices of feminist posthumanities<https://doi.org/10.1177/25148486211028542.>. 2021. With Cecilia Åsberg. Environment and Planning E: Nature and Space (June 2021). https://doi.org/10.1177/25148486211028542.

Non/Living Queerings, Undoing Certainties and Braiding Vulnerabilities: A Collective Reflection<https://www.raco.cat/index.php/Artnodes/article/view/374989>. 2021. With Mayra Citlalli Rojo Gómez, Margherita Pevere and Terike Haapoja. In: L. Benítez; E. Berger, eds. "Arts in the time of pandemic". Artnodes, no. 27:  1-10. UOC.

Deterritorialising Death: Queerfeminist Biophilosophy and Ecologies of the Non/Living in Contemporary Art<https://doi.org/10.1080/08164649.2020.1802697>. 2020. Australian Feminist Studies 35(104): 116-137.

Queer Death Studies: Death, Dying and Mourning From a Queerfeminist Perspective<https://doi.org/10.1080/08164649.2020.1811952>. 2020. With Tara Mehrabi and Nina Lykke. Australian Feminist Studies 35(104): 81-100.

Other media:

The Eco- and Bioart Lab YouTube channel<https://www.youtube.com/@EcoBioartLab>

Check out a report from our symposium ECOLOGIES OF DEATH, ECOLOGIES OF MOURNING: VOL. I<https://queerdeathstudies.net/2023/04/04/visual-report-ecologies-of-death-ecologies-of-mourning-vol-i/>

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