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<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt">Dear colleagues,<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt">LiU-Humanities, Tema Q (Culture and Society) and Tema G (Gender Studies) at Linköping university are happy to invite you to the Zoom seminar with our guest from Linnaeus University next week:<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt"><o:p> </o:p></span></p>
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<b><span lang="EN-US" style="font-size:14.0pt;color:black">Thursday 15 April 13:15-15:00</span></b><span lang="EN-US" style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="font-size:14.0pt;color:black">Eóin Ó Cuinneagáin</span><span lang="EN-US" style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoListParagraph" style="margin-left:36.0pt"><span class="apple-converted-space"><b><span lang="EN-US" style="font-size:16.0pt;color:black">Responding to the Coloniality of Audibility with Decolonial/Gaelic Sonorities<o:p></o:p></span></b></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:"Arial",sans-serif;color:black;mso-fareast-language:SV">Eóin is a PhD candidate in the Centre for Colonial and Postcolonial Studies, Linnaeus University, Sweden. His dissertation investigates the triadic
mapping of Irish land, painting of Irish landscapes and annotation of Irish melodies during the 19th century, in which he presents (de)coloniality as a research methodology to investigate these processes. His thesis argues that this anglocentric colonial drive
to map/paint/annotate constructed the Gaelic subject as an object of knowledge. His thesis suggests that decolonizing our perception of these phenomena requires Gaelic epistemology and language to be central in how these histories are embodied, performed,
retold, analysed and imagined.</span><span lang="EN-US" style="font-size:11.0pt;mso-fareast-language:SV"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black">Zoom link: <a href="https://liu-se.zoom.us/j/69992182037">
https://liu-se.zoom.us/j/69992182037</a> <o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black">Meeting ID: 699 9218 2037<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:14.0pt">Warm welcome!<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-size:11.0pt">Abstract</span></b><span lang="EN-US" style="font-size:11.0pt">:<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US">Rebecca Schneider (2011: 17) observes that the dominance of the document ties into geopolitical normativity in relation to what comprises memory remains and ‘proper’ archives. She describes
how “live embodied acts of retelling history”, such as those enacted through oral tradition, were frozen in time by the construction of the centrally controlled paper archive. Temi Odumosu (2019) revises Schneider’s concept of
<i>reperformance</i> and places it within the “affectively charged colonial archive” considering what it means to enact the “reparative gesture” towards a decolonial ethics of retelling the memory of those silenced, peripheral, nameless and under duress inside
the colonial archive.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US">In this paper I ask whether
<i>decolonial/Gaelic sonorities</i>, found in the co-constructive live indigenous art practices of
<i>amhránaíocht</i> (‘songing’) and <i>scéalaíocht</i> (storytelling) can be <i>reperformed</i> to challenge the anglocentric/eurocentric control on knowledge and taste within universities and aesthetic domains in Ireland and elsewhere. Building on the idea
of the <i>coloniality of perception </i>(Tlostanova, 2017), I suggest referring to the anglicized/westernized expropriation from Gaelic sonorities as establishing a
<i>coloniality of audibility.</i> The paper asks whether through an embodied technique referred to as
<i>Casadh an Amhráin</i> (a turning of the song) – a <i>reperformance </i>of the oral lyric and the vocal intone – the
<i>coloniality of audibility</i> can be challenged. Specifically, the paper engages with decolonial/Gaelic poets, Tomás Rua Ó Suilleabháin, Máire Bhuí Ní Laoghaire and Antaine Ó Raifteirí.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US">Reference(s)<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US">Odumosu, Temi. 2019. “Sensitive Skin”. 2019 Holberg Symposium “From Double Consciousness to Planetary Humanism”. University of Bergen Aula.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US">Schneider, Rebecca. 2011. Performing Remains Art and War in Times of Theatrical Reenactment. Routledge: New York.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US">Tlostanova, Madina. 2017. Postcolonialism and Postsocialism in Fiction and Art Resistance and Re-existence. Palgrave MacMillan: Cham.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify"><span lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span lang="EN-US" style="font-size:11.0pt;mso-fareast-language:SV">Best regards<br>
Olga Zabalueva <br>
PhD student<o:p></o:p></span></p>
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<p class="MsoNormal"><b><span lang="EN-US" style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:SV">Department of Culture and Society (IKOS), Tema Q<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:SV">IKOS PhD Council</span></b><span lang="EN-US" style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:SV"><br>
581 83 Linköping<br>
Phone: +46 (0)11-36 30 28<br>
Mobile: +46 (0)73-661 77 75<br>
Visiting address: Campus Norrköping, Kopparhammaren 7, Ingång 56C, Rum 541<br>
Please visit us at </span><span style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:SV"><a href="http://www.liu.se" title="www.liu.se"><span lang="EN-US" style="color:black;text-decoration:none">www.liu.se</span></a></span><span lang="EN-US" style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:SV"><o:p></o:p></span></p>
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