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<p class="MsoNormal"><span lang="EN-US">Dear colleaugues,<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US">Humanities and Social Sciences departments at LiU have a selection of seminars for the coming weeks to choose from:<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">Welcome to The Posthumanities Hub & The Eco- and Bioart Lab Hybrid Seminar on <strong><span style="background:yellow;mso-highlight:yellow">“Design Ecologies: Towards Artistic and
Postconventional (Research) Practices”</span></strong> with speakers <strong>Carrie Foulkes </strong>(University of Glasgow) and <strong>Dr Lynn Wilson</strong> (University of Glasgow), which takes place on <strong><span style="background:yellow;mso-highlight:yellow">14</span></strong></span><strong><sup><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;color:#111111;background:yellow;mso-highlight:yellow">th</span></sup></strong><strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111;background:yellow;mso-highlight:yellow"> June
at 13:15-15:00</span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"> CEST in the room</span><span class="apple-converted-space"><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"> </span></span><b><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">Faros</span></b><span class="apple-converted-space"><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"> </span></span><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">(Tema
building, Campus Valla, Linköping University), and on Zoom (for registration details, see below)<o:p></o:p></span></p>
<h5 style="mso-margin-top-alt:37.5pt;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:16.2pt;background:white;text-align:start">
<strong><span style="font-size:13.0pt;font-family:"Playfair Display";color:#111111">Generous emptiness: sculptural and architectural encounters</span></strong><span style="font-size:13.0pt;font-family:"Playfair Display";color:#111111"><o:p></o:p></span></h5>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111">Abstract: </span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><img width="445" height="319" style="width:4.6354in;height:3.3229in" id="Picture_x0020_4" src="cid:image001.png@01D87A63.8C135DA0"></span><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">Photo:
Carrie Foulkes, <em>Monument on a Hill</em><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">This talk will ponder different kinds of ‘emptiness’ and their potentialities. As a way into thinking about some relevant themes, I’ll introduce the Sun Hive, exploring the hive’s
material and conceptual aspects and how it symbolises a certain kind of relationship between humans and honeybees. Unlike many other forms of bee box that already have frames installed inside them, the Sun Hive provides a colony with a primarily ’empty’ space
in which to build their comb, contained by a form that reflects and honours the bees’ natural preferences. The hive is imbued with an ethos of generosity, love and respect rather than of control.<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">Thinking about the Sun Hive will enable a consideration of some of the meaningful and generative ways in which an artistic practice can meet with a scientific method of observation
in an ecological context. We’ll also look at spatial sculptural/installation practices as transformative sites in terms of human health and wellbeing. I’ll narrate embodied encounters with artworks and the ways in which these have resonated and provided support
during a time of bereavement. The talk will close with a reflection on some of the ways in which built environments can be conducive to contemplative states, drawing on examples of remarkable public spaces such as the Kamppi Chapel – “the chapel of silence”
– in Helsinki, and contrasting this with the prevalent strategy of ‘hostile architecture’ in urban design.<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111">Bio</span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">:<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111">Carrie Foulkes</span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"> is a British essayist and poet whose multidisciplinary practice
also encompasses visual and live arts. She is particularly interested in the intersections of experimental literature, narrative studies, bodywork, performance, medical humanities and bioethics. She is a doctoral candidate at the University of Glasgow and
a visiting researcher at Linköping University. <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fcarriefoulkes.com%2F&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=50RH7z6h8FYtrN%2ByGxjgagfhxJM2mahGEFpg8%2Bq2ZVQ%3D&reserved=0" title="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fcarriefoulkes.com%2F&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb3d8eyJWIj"><span style="color:#C203BC">https://carriefoulkes.com/</span></a><o:p></o:p></span></p>
<h5 style="mso-margin-top-alt:37.5pt;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:16.2pt;background:white;text-align:start">
<strong><span style="font-size:13.0pt;font-family:"Playfair Display";color:#111111">Circular Design Perspectives from the UK. The Case for Multidisciplinary Practice</span></strong><span style="font-size:13.0pt;font-family:"Playfair Display";color:#111111"><o:p></o:p></span></h5>
<p class="MsoNormal" style="background:white"><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><img border="0" width="421" height="236" style="width:4.3854in;height:2.4583in" id="Picture_x0020_2" src="cid:image002.png@01D87A63.8C135DA0"></span><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">Photo:
Lynn I. Wilson, <em>Circular Design Perspectives from the UK</em><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111">Abstract</span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">The implementation of a circular economy requires a multidisciplinary approach to close the loop and advance research and practice across citizens, consumers, and businesses. Artists
and designers have a vital role to play in advancing conceptual and practical applications of circular thinking – new material research, design for disassembly, zero waste design and design for durability.<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">The presentation will begin with an overview from Lynn about her experience of applying western art and design teaching practices with indigenous people in sub-Saharan Africa and
how this earlier experience shaped her understanding of the current global environmental crisis. From there, the presentation will share examples from Lynn’s practice as a consultant working with design led and non-design led businesses and academics, critiquing
solutions for a more sustainable society. Lynn will present her new project – Circular Materials Repository, working in collaboration with the Creative Informatics Centre, Edinburgh College of Art, Edinburgh University.<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111">Bio:</span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111">Dr Lynn Wilson</span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"> is a Scottish textile designer, circular design practitioner,
researcher, and lecturer, who recently completed a social science PhD at the Adam Smith Business School, University of Glasgow. Her consultancy, Circular Design Scotland advances circular design knowledge through working with artists, designers, and businesses
and is currently a post-doctoral researcher at the University of the Arts London, Centre for Circular Design.<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">Twitter: @LynnIWilson<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">Instagram: @LynnIWilson<o:p></o:p></span></p>
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<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><a href="https://eur01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.circulareconomywardrobe%2F&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=fuQFe8uphNMFq8AKKVwZVeoK2aHHZ1RvZugTl59eP%2BE%3D&reserved=0" title="https://eur01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.circulareconomywardrobe%2F&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb"><span style="color:#C203BC">www.circulareconomywardrobe</span></a><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><a href="https://eur01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.lynnwilson.co.uk%2F&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=ncabaCOYbHsIj7lM7YwA%2BFrDFQTLUzRA%2BZhQ8%2F%2FbfxU%3D&reserved=0" title="https://eur01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.lynnwilson.co.uk%2F&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb3d8eyJW"><span style="color:#C203BC">www.lynnwilson.co.uk</span></a><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">TEDx Bath: <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DQYqXf6ewboo&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=lkI8OIUFDsP%2BpY7HpvIFqJCgXQiU2IoPgYbH3OfIbQc%3D&reserved=0" title="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DQYqXf6ewboo&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown"><span style="color:#C203BC">https://www.youtube.com/watch?v=QYqXf6ewboo</span></a><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<strong><span style="font-size:13.5pt;font-family:"Calibri",sans-serif;color:#111111">REGISTRATION</span></strong><span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111"><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:18.0pt;margin-left:0cm;line-height:22.75pt;background:white;text-align:start">
<span style="font-size:13.5pt;font-family:"Times New Roman",serif;color:#111111">REGISTER HERE: <a href="https://liu-se.zoom.us/meeting/register/u5Ukd-ihrzMuGNMnDeKr_jKdV9x3cdrjdt4X" title="https://liu-se.zoom.us/meeting/register/u5Ukd-ihrzMuGNMnDeKr_jKdV9x3cdrjdt4X"><span style="color:#C203BC">https://liu-se.zoom.us/meeting/register/u5Ukd-ihrzMuGNMnDeKr_jKdV9x3cdrjdt4X</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black">More: <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fposthumanitieshub.net%2F2022%2F06%2F04%2Fph-ebl-hybrid-seminar-on-design-ecologies-towards-artistic-and-postconventional-research-practices-14th-june%2F&data=05%7C01%7Colga.zabalueva%40liu.se%7Ca9268d5c67634da7abce08da4683666b%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637899827425180703%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=6%2Flo6bFOLJyYJ3el%2BfvEa44Pva%2BC0I6XKAagFnDZR9Q%3D&reserved=0" title="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fposthumanitieshub.net%2F2022%2F06%2F04%2Fph-ebl-hybrid-seminar-on-design-ecologies-towards-artistic-and-postconventional-research-practices-14th-june%2F&data=05%7C01%7Colga.zabalueva%40liu.">https://posthumanitieshub.net/2022/06/04/ph-ebl-hybrid-seminar-on-design-ecologies-towards-artistic-and-postconventional-research-practices-14th-june/</a></span><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:14.0pt;font-family:"Times New Roman",serif;color:black;mso-fareast-language:EN-GB">Welcome to a REMESO open seminar:</span><span style="font-size:12.0pt;color:black;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:black;mso-fareast-language:EN-GB"><o:p> </o:p></span></p>
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<p class="MsoNormal"><b><i><span style="font-size:16.0pt;font-family:"Times New Roman",serif;color:#1D1D1B;background:yellow;mso-highlight:yellow;mso-fareast-language:EN-GB">”Is it Possible to Decolonise Migration Studies?”</span></i></b><span style="font-size:12.0pt;color:black;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:#1D1D1B;background:white;mso-fareast-language:EN-GB">Bridget Anderson</span></b><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:#1D1D1B;background:white;mso-fareast-language:EN-GB">, Director
of Migration Mobilities Bristol, and Professor of Migration, Mobilities and Citizenship, University of Bristol. </span><span style="font-size:12.0pt;color:black;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:#1D1D1B;background:white;mso-fareast-language:EN-GB">Room KO23</span><span style="font-size:12.0pt;color:black;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" style="background:white"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black;background:yellow;mso-highlight:yellow;mso-fareast-language:EN-GB">Wednesday June 15</span><span style="font-size:12.0pt;color:black;background:yellow;mso-highlight:yellow;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="color:black">We are thrilled to welcome you to our last Higher Seminar before enjoying the summer break!<span class="apple-converted-space"> </span><o:p></o:p></span></p>
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<span style="color:black">Come and join us for this seminar on <span style="background:yellow;mso-highlight:yellow">
Data Feminism with Lauren Klein next 15 June 2022</span>. Feel free to spread the word to others who might be interested in participating -thank you!<o:p></o:p></span></p>
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<b><span style="color:black"> </span></b><span style="color:black"><o:p></o:p></span></p>
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<b><span style="color:black">Hybrid mode:</span></b><span class="apple-converted-space"><span style="color:black"> </span></span><span style="color:black">Temcas in Campus Valla or<span class="apple-converted-space"> </span></span><span lang="ES" style="color:black"><a href="https://liu-se.zoom.us/j/68625371209" title="https://liu-se.zoom.us/j/68625371209"><span lang="EN-US">https://liu-se.zoom.us/j/68625371209</span></a></span><span style="color:black"><o:p></o:p></span></p>
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<span style="color:black">Looking forward to seeing you there!<o:p></o:p></span></p>
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<span style="color:black">Data Feminism<o:p></o:p></span></p>
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<span style="color:black">As data are increasingly mobilized in the service of governments and corporations, their unequal conditions of production, asymmetrical methods of application, and unequal effects on both individuals and groups have become increasingly
difficult for data scientists––and others who rely on data in their work––to ignore. But it is precisely this power that makes it worth asking: “Data science by whom? Data science for whom? Data science, with whose interests in mind?”<o:p></o:p></span></p>
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<span style="color:black">These are some questions that emerge from what D’Ignazio and Klein call data feminism: a way of thinking about data science and its communication that is informed by the past several decades of intersectional feminist activism and
critical thought. This talk will draw on insights from their collaboratively crafted book about how challenges to the male/female binary can challenge other hierarchical (and empirically wrong) classification systems; how an understanding of emotion can expand
our ideas about effective data visualization; and how the concept of “invisible labor” can expose the significant human efforts required by our automated systems. Together, they show how feminist thinking be operationalized into more ethical and equitable
data practices.<o:p></o:p></span></p>
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<b><span style="color:black">Lauren Klein</span></b><span class="apple-converted-space"><span style="color:black"> </span></span><span style="color:black">is Winship Distinguished Research Professor and Associate Professor in the departments of English and
Quantitative Theory & Methods at Emory University, where she also directs the Digital Humanities Lab. She is the author of An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) and, with Catherine D’Ignazio,
Data Feminism (MIT Press, 2020). With Matthew K. Gold, she edits Debates in the Digital Humanities, a hybrid print-digital publication stream that explores debates in the field as they emerge.<o:p></o:p></span></p>
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<span style="color:black"> <o:p></o:p></span></p>
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<span style="color:black">Lauren Klein´s biography:<span class="apple-converted-space"> </span><a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Flklein.com%2Fbio&data=05%7C01%7Colga.zabalueva%40liu.se%7C4a30548bfdfc4fbe152808da448821cd%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637897648713386939%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=froF9O%2BPt0irwchmJUXazHSs1fR%2FG1hs09fS69c3RO0%3D&reserved=0" title="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Flklein.com%2Fbio&data=05%7C01%7Colga.zabalueva%40liu.se%7C4a30548bfdfc4fbe152808da448821cd%7C913f18ec7f264c5fa816784fe9a58edd%7C0%7C0%7C637897648713386939%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC">https://lklein.com/bio</a><o:p></o:p></span></p>
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<span style="color:black"><img border="0" width="691" height="1363" style="width:7.1979in;height:14.1979in" id="Picture_x0020_1" src="cid:image004.jpg@01D87A63.D341B780" alt="A screenshot of a news paper
Description automatically generated with low confidence"></span><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="apple-converted-space"><span lang="EN-GB" style="color:black"> </span></span><span lang="EN-GB" style="color:black">The talk hosted by the Unit for Philosophy and Applied Ethics will take place at <b><span style="background:yellow;mso-highlight:yellow">10.15
am on Wednesday, June 15, 2022</span></b>.<span class="apple-converted-space"> </span><b>Julie Zahle (U of Oslo)<span class="apple-converted-space"> </span></b>will give a talk entitled<span class="apple-converted-space"> </span></span><span lang="EN-US" style="color:black">“<b><span style="background:yellow;mso-highlight:yellow">Reactivity
in Qualitative Data Collection</span></b>”</span><span lang="EN-GB" style="color:black">. Please find an abstract below.</span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-GB" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-GB" style="color:black">The meeting will be in hybrid mode. We will meet on<span class="apple-converted-space"> </span><b>Campus Valla, Key Building, Second Floor, Room “Tage”</b>. Alternatively, you can also follow the talk via Zoom:<span class="apple-converted-space"> </span></span><span style="color:black"><a href="https://liu-se.zoom.us/j/64167454389?pwd=eHdQbGxMejd6cnZXZWp1bG1QZE5TZz09" target="_blank" title="https://liu-se.zoom.us/j/64167454389?pwd=eHdQbGxMejd6cnZXZWp1bG1QZE5TZz09">https://liu-se.zoom.us/j/64167454389?pwd=eHdQbGxMejd6cnZXZWp1bG1QZE5TZz09</a><span class="apple-converted-space"> </span></span><span lang="EN-US" style="color:black">(049493).</span><span style="color:black"><o:p></o:p></span></p>
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<span style="color:black"> <o:p></o:p></span></p>
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<span style="color:black"><o:p> </o:p></span></p>
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<b><span lang="EN-US" style="color:black">Reactivity in Qualitative Data Collection</span></b><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="color:black">Reactivity in qualitative data collection occurs when research participants are influenced by the researcher during data collection, as exemplified by the research participants diverging from their routines in the presence
of the researcher or by their telling the researcher what they think she wants to hear. In qualitative research, there are two basic approaches to reactivity. The traditional position maintains that data should be uncontaminated by reactivity since data otherwise
fail to be informative about social life independently of its being studied. In short, good data are reactivity-free. By contrast, the more recent view holds that data about situations with reactivity are also informative about social life independently of
its being studied. This is the case insofar as the researcher is aware of the reactivity and takes it into account when drawing inferences from her data.</span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="color:black">Thus far, the more recent approach to reactivity has not been spelled out and defended in any detail. In this paper, I take on this task. More precisely, I argue that good data are reactivity transparent, and I consider
the implications of this view for the practice of qualitative data collection. Finally, I briefly indicate how my reflections on reactivity transparent data contribute to recent philosophical discussions of data quality.</span><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="mso-fareast-language:EN-GB">Best regards<br>
Olga Zabalueva <br>
</span><span lang="EN-US" style="mso-fareast-language:EN-GB">PhD student</span><span style="mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:EN-GB">Department
</span></b><b><span lang="EN-US" style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:EN-GB">of Culture and Society (IKOS), Tema Q</span></b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:EN-GB"><br>
581 83 Linköping<br>
Phone: +46 (0)11-36 30 28<br>
Mobile: +46 (0)</span><span lang="EN-US" style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:EN-GB">73 661 77 75</span><span style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:EN-GB"><br>
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Please visit us at <a href="http://www.liu.se" title="www.liu.se"><span style="color:black;text-decoration:none">www.liu.se</span></a></span><b><span lang="EN-US" style="font-size:10.0pt;font-family:"Arial",sans-serif;mso-fareast-language:EN-GB"><o:p></o:p></span></b></p>
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