<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<!--[if !mso]><style>v\:* {behavior:url(#default#VML);}
o\:* {behavior:url(#default#VML);}
w\:* {behavior:url(#default#VML);}
.shape {behavior:url(#default#VML);}
</style><![endif]--><style><!--
/* Font Definitions */
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
{font-family:Candara;
panose-1:2 14 5 2 3 3 3 2 2 4;}
@font-face
{font-family:"Segoe UI";
panose-1:2 11 5 2 4 2 4 2 2 3;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0cm;
font-size:10.0pt;
font-family:"Calibri",sans-serif;}
h2
{mso-style-priority:9;
mso-style-link:"Heading 2 Char";
mso-margin-top-alt:auto;
margin-right:0cm;
mso-margin-bottom-alt:auto;
margin-left:0cm;
font-size:18.0pt;
font-family:"Calibri",sans-serif;
font-weight:bold;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
text-decoration:underline;}
span.Heading2Char
{mso-style-name:"Heading 2 Char";
mso-style-priority:9;
mso-style-link:"Heading 2";
font-family:"Calibri Light",sans-serif;
color:#2F5496;}
.MsoChpDefault
{mso-style-type:export-only;
font-size:10.0pt;
mso-ligatures:none;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 72.0pt 72.0pt 72.0pt;}
div.WordSection1
{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]-->
</head>
<body lang="en-SE" link="blue" vlink="purple" style="word-wrap:break-word">
<div class="WordSection1">
<div id="mail-editor-reference-message-container">
<div>
<div>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black">Dear all,</span><span style="font-size:11.0pt"><o:p></o:p></span></p>
</div>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black">Warm welcome to The Eco- and Bioart Lab webinar with Dr Tarsh Bates (Umeå University) on<b>"S(c)en(t)sory Foraging: the eros of olfaction
in multi-species metabolisms" that takes place on 26th Oct at 13:15-15:00 CEST on Zoom</b>.</span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<h2 style="background:white"><u><span style="font-size:13.0pt;font-family:"Candara",sans-serif;color:black">S(c)en(t)sory Foraging: the eros of olfaction in multi-species metabolisms </span></u><span style="font-size:13.0pt;font-family:"Candara",sans-serif"><o:p></o:p></span></h2>
<p style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black;letter-spacing:.75pt">ABOUT THE WEBINAR: </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black;letter-spacing:.75pt"> </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black">This seminar presents an overview of Tarsh Bates’ artistic research with the human as a queer ecology, taking seriously the agency and response-ability of
micro-organisms within this ecology, attempting to understand and navigate the microbiopolitics of multi-species Umwelten. Tarsh presents previous voyages in the CandidaHomo ecology and introduces a new project which ventures into the tactility and in/tangibility
of olfaction in multi-species digestions. Odorants are fundamental within metabolic processes, ingested, digested, excreted through the living, the non-living and the semi-living. This project positions olfaction as a transcorporeal, queer sense-ability, a
microbiopolitical eros. </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"> </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black;letter-spacing:.75pt">RESPONDENT: PROF. EM. NINA LYKKE (LINKÖPING UNIVERSITY) </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black;letter-spacing:.75pt"> </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black;letter-spacing:.75pt">BIO NOTES: </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:blue"><a href="https://tarshbates.com/" target="_blank">Tarsh Bates</a></span><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"> has a
PhD from SymbioticA (University of Western Australia) and has worked as a pizza delivery driver, a fruit and vegetable stacker, a toilet-paper packer, a compost researcher, a honeybee ejaculator, a gallery invigilator, a raspberry picker, an academic, an editor,
a bookkeeper, a car detailer, and a life drawing model. They are currently a </span><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:blue"><a href="https://www.umu.se/en/staff/natarsha-bates/" target="_blank">Postdoctoral Research Fellow
in Design & Molecular Biology at Umeå University, Sweden</a></span><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black">. The are enamoured with Candida albicans. </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"> </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:blue"><a href="https://ninalykke.net/" target="_blank">Nina Lykke</a></span><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black">, PhD, is
a poet-philosopher and Professor Emerita of Gender Studies at Linköping University, Sweden, and Adjunct Professor at Aarhus University, Denmark. She* has participated in the building of Feminist Studies in Scandinavia and Europe more broadly since the 1970s.
She* is co-founder of the International Network for Queer Death Studies. Her* monographs include: <i>Cosmodolphins </i>(2000), <i>Feminist Studies</i> (2010), and <i>Vibrant Death</i> (2022). </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"> </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><b><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black;background:#FF8000">REGISTER: </span></b><b><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:blue;background:#A43600"><a href="https://bit.ly/t4r5h8" target="_blank">https://bit.ly/t4r5h8</a></span></b><b><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black;background:#FF8000"> </span></b><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"> </span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black">Read more: <a href="https://ecobioartlab.net/2023/10/11/scentsory-foraging-the-eros-of-olfaction-in-multi-species-metabolisms-the-eco-and-bioart-lab-webinar-with-dr-tarsh-bates/" target="_blank">https://ecobioartlab.net/2023/10/11/scentsory-foraging-the-eros-of-olfaction-in-multi-species-metabolisms-the-eco-and-bioart-lab-webinar-with-dr-tarsh-bates/</a></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<div>
<p class="MsoNormal"><span style="font-size:11.5pt;font-family:"Segoe UI",sans-serif;color:black;background:white"><img border="0" width="1920" height="2560" style="width:20.0in;height:26.6666in" id="_x0000_i1025" src="cid:4a718b0a-f167-4c0c-a8ef-d133c12b2776"></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
</div>
<div id="Signature">
<div>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white">Dr. Marietta Radomska | Assistant Professor of Environmental Humanities | Head of unit (Gender Studies) | Director of
</span><span style="font-size:11.0pt;color:#C82613;background:white"><a href="https://liu.se/en/research/the-eco-and-bioart-lab" title="https://liu.se/en/research/the-eco-and-bioart-lab"><span style="color:#C82613">The Eco- and Bioart Lab</span></a></span><span style="font-size:11.0pt;color:black;background:white">:
</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white"><a href="https://ecobioartlab.net/"><span style="color:#C82613">https://ecobioartlab.net/</span></a></span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:#861106;background:white"> |
</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white">Founding Member of Queer Death Studies Network:
</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white"><a href="https://queerdeathstudies.wordpress.com/"><span style="color:#C82613">https://queerdeathstudies.net/</span></a></span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white"> | Member</span><span style="font-size:7.5pt;font-family:"Candara",sans-serif;color:black;background:white"> </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white">of
</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white"><a href="https://posthumanities.net/" target="_blank" title="https://posthumanities.net/"><span style="color:#C82613">The Posthumanities Hub</span></a></span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:red;background:white"> </span><span style="font-size:7.5pt;font-family:"Candara",sans-serif;color:black;background:white">|</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white"> Division
of Gender Studies (Tema Genus), Department of Thematic Studies (Tema), Linköping University, SE-581 83 LINKÖPING, Sweden
</span><span style="font-size:11.0pt;color:black;background:white">| </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white">LiU web:
</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white"><a href="https://liu.se/en/employee/marra73"><span style="color:#C82613">https://liu.se/en/employee/marra73</span></a></span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white"> |
Personal web: </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white"><a href="https://mariettaradomska.com/"><span style="color:#C82613">https://mariettaradomska.com/</span></a></span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white"> | E-mail:
</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white">marietta.radomska@liu.se</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black;background:white"> | tel. +46 (0) 13 28 6694</span><span style="font-size:12.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
</div>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="background:white"><b><i><u><span style="font-family:"Candara",sans-serif;color:#C82613"><a href="https://ecobioartlab.net/news-4/" title="https://ecobioartlab.net/news-4/"><span style="color:#C82613">CHECK OUT THE LATEST NEWS from
The Eco- and Bioart Lab</span></a></span></u></i></b><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p style="background:white"><b><u><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">Select latest publications: </span></u></b><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
<p style="background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"><a href="https://journal.fi/rae/article/view/127532" title="https://journal.fi/rae/article/view/127532"><span style="color:#C82613">Ecologies of Death,
Ecologies of Mourning: A Biophilosophy of Non/Living Arts</span></a></span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#861106">.</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black"> 2023.
<i>Research in Arts & Education. </i>Special issue on Death 2/2023: 8-22. </span>
<span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"><a href="https://doi.org/10.54916/rae.127532"><span style="color:#C82613">https://doi.org/10.54916/rae.127532</span></a></span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
<p style="background:white"><i><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"><a href="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" title="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing"><span style="color:#C82613">State
of the Art: Elements for Critical Thinking and Doing</span></a></span></i><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black"> 2023. Book co-edited together with E. Berger, M. Keski-Korsu, and L. Thastum. Helsinki: Bioart Society.</span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
<p style="background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"><a href="https://doi.org/10.1177/25148486211028542." title="https://doi.org/10.1177/25148486211028542."><span style="color:#C82613">Fathoming Postnatural
Oceans: towards a low trophic theory in the practices of feminist posthumanities</span></a></span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">. 2021. With Cecilia Åsberg.
<i>Environment and Planning E: Nature and Space </i>(June 2021).</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"> <span style="background:white"><a href="https://doi.org/10.1177/25148486211028542"><span style="color:#C82613">https://doi.org/10.1177/25148486211028542</span></a></span></span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#333333;background:white">.</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black"> </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
<p style="background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"><a href="https://www.raco.cat/index.php/Artnodes/article/view/374989" title="https://www.raco.cat/index.php/Artnodes/article/view/374989"><span style="color:#C82613">Non/Living
Queerings, Undoing Certainties and Braiding Vulnerabilities: A Collective Reflection</span></a></span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">. 2021. With
</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#333333;background:white">Mayra Citlalli Rojo Gómez, Margherita Pevere and Terike Haapoja.</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black;background:white"> In:
L. Benítez; E. Berger, eds. "Arts in the time of pandemic". </span><i><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">Artnodes</span></i><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">, no. 27: 1-10.
<span style="background:white">UOC.</span></span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="background:white"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white"><a href="https://doi.org/10.1080/08164649.2020.1802697" title="https://doi.org/10.1080/08164649.2020.1802697 "><span style="color:#C82613">Deterritorialising
Death: Queerfeminist Biophilosophy and Ecologies of the Non/Living in Contemporary Art</span></a></span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black;background:white">.
</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#444444;background:white">2020.
<i>Australian Feminist Studies </i>35(104): 116-137</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#861106;background:white">. </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black"> </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613;background:white"><a href="https://doi.org/10.1080/08164649.2020.1811952" title="https://doi.org/10.1080/08164649.2020.1811952 "><span style="color:#C82613">Queer
Death Studies: Death, Dying and Mourning From a Queerfeminist Perspective</span></a></span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black;background:white">.</span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#444444;background:white"> </span><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black;background:white">2020.
With Tara Mehrabi and Nina Lykke. <i>Australian Feminist Studies </i>35(104): 81-100. </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#444444;background:white"> </span><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="line-height:13.2pt;background:white"><b><u><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">Other media:</span></u></b><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">The Eco- and Bioart Lab
</span><b><i><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"><a href="https://www.youtube.com/@EcoBioartLab" title="https://www.youtube.com/@EcoBioartLab"><span style="color:#C82613">YouTube channel</span></a></span></i></b><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:black">Check out a report from our symposium
</span><b><i><span style="font-size:9.0pt;font-family:"Candara",sans-serif;color:#C82613"><a href="https://queerdeathstudies.net/2023/04/04/visual-report-ecologies-of-death-ecologies-of-mourning-vol-i/" title="https://queerdeathstudies.net/2023/04/04/visual-report-ecologies-of-death-ecologies-of-mourning-vol-i/"><span style="color:#C82613">ECOLOGIES
OF DEATH, ECOLOGIES OF MOURNING: VOL. I</span></a></span></i></b><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p></o:p></span></p>
<p style="line-height:13.2pt;background:white"><span style="font-size:11.0pt;font-family:"Candara",sans-serif;color:black"><o:p> </o:p></span></p>
</div>
</div>
</div>
</div>
</body>
</html>