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Dear all,</div>
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Here comes a gentle reminder concerning the invitation below:</div>
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<span style="font-weight: 500;">Welcome to </span><b>“State of the Art: Elements for Critical Thinking and Doing”: The Eco- and Bioart Lab Webinar and Virtual Book Launch</b><span style="font-weight: 500;">, which takes place on
</span><b><u>26th September 2024 at 15:15-16:45</u></b><span style="font-weight: 500;"><u> CEST on Zoom.</u></span></div>
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<span style="color: rgb(0, 0, 0); font-weight: 500;">On 26th September 2024, we – as both members of the editorial team and the contributors – gather for the discussion and virtual launch of the book
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><i><u><a href="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" target="_blank" id="OWA5919b423-5da5-c228-83e4-31bea018c4af" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">State
of the Art: Elements for Critical Thinking and Doing</a></u></i></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;">, edited by Erich Berger, Mari Keski-Korsu, Marietta Radomska, and Line Thastum. The book came out in 2023, and was published by
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://bioartsociety.fi/" target="_blank" id="OWAdea4d2ca-56a7-db9b-79e5-1577213b9530" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Bioart
Society</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;">.</span></div>
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<span style="font-weight: 500;">While the edited collection had its first physical launch last year in Helsinki, FI, with this virtual discussion panel and book launch, we wish to zoom in on critical-creative potentials, specific powers, and role of art, artistic
practices, artistic research, and art-activism in the context of more-than-human planetary crises. We will also reflect on various dimensions, possibilities, and challenges of transdisciplinary collaborations, which are so urgently needed in the here and now.</span></div>
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<span style="font-weight: 500;">For more on the project and the book, see below.</span></div>
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<span style="color: rgb(0, 0, 0); background-color: rgb(255, 128, 0);"><b>Register HERE:
</b></span><span style="color: var(--wp--preset--color--cyan-bluish-gray); background-color: rgb(255, 128, 0);"><b><u><a href="https://bit.ly/4etyK6y" target="_blank" id="OWAf7313ffc-48a2-ca22-7e43-ff6415845068" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">https://bit.ly/4etyK6y</a></u></b></span></div>
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<b>Panellists:</b></div>
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<span style="font-weight: 500;">Erich Berger (Oulu University, FI)</span></div>
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<span style="font-weight: 500;">Caroline Elgh (Linköping University, SE)</span></div>
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<span style="font-weight: 500;">Mari Keski-Korsu (Aalto University, FI)</span></div>
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<span style="font-weight: 500;">Nina Lykke (Linköping University, SE)</span></div>
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<span style="font-weight: 500;">Marietta Radomska (Linköping University, SE)</span></div>
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<b>About the panel / launch and the publication:</b></div>
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<span style="color: rgb(0, 0, 0); font-weight: 500;">The publication wraps up the
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://bioartsociety.fi/projects/state-of-the-art-network" target="_blank" id="OWAa2c8fece-b1e0-7b45-833d-71a7392e6b8b" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">State
of the Art Network (SOTAN)</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> collaboration project. SOTAN has been a Nordic-Baltic transdisciplinary network of artists, practitioners, researchers, and organisations who have come together
to discuss the role, responsibility, and potential of art and culture in the Anthropocene. By developing creative practices, transdisciplinary collaborations and public engagement, SOTAN has aimed to create resilience and concrete actions on how to live through
the change in culture, economy and the environment and to find concrete, hands-on methods to deal with the Anthropocene and the environmental crisis.</span></div>
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<span style="font-weight: 500;">With this publication, we want to take a closer look at how we as practising artists, researchers and cultural actors can create elements for critical thinking and doing which can assist us in navigating the complexities of the
present. The publication is organised into four sections: 1) Understand Unfold Recognise, 2) Listening Introspection Immersion, 3) Translate, Communicate, Collaborate and 4) Reacting Acting Change. It is important to see these sections, not as strict compartments
where the different contributions land in a definitive slot but more, as a guide through the rich material produced by the collaboration. The contributions range from the arts and curatorial practices to activism, humanities and economy, interspersed with
recaps of activities organised by collaborating SOTAN entities during the last three years and other related material in the form of images, poetry or maps.</span></div>
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<span style="font-weight: 500;">State of the Art Network has been supported by Nordic Culture Point, Nordic Culture Fund, and A. P. Møller Foundation.</span></div>
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<span style="color: rgb(0, 0, 0); font-weight: 500;">The book is available in </span>
<span style="color: rgb(0, 0, 0);"><b>OPEN ACCESS </b></span><span style="color: rgb(0, 0, 0); font-weight: 500;">and can be downloaded
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" target="_blank" id="OWA92d7ab13-4883-bcc6-3a5a-3900bcd11449" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">HERE</a></u></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;">.</span></div>
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<b>Panellist bio notes:</b></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://randomseed.org/web/index.html" target="_blank" id="OWAf390c667-3649-90f9-3726-2b754b111fa0" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Erich Berger</a></u></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> is
an artist, curator and cultural worker based in Helsinki and a doctoral researcher at Oulu University. His research in Cultural Anthropology concerns how art can approach temporality beyond human-centred time scales. Throughout his artistic practice, he has
explored the materiality of information and information and technology as artistic material. His interest in issues of deep time and hybrid ecology led him to work with geological processes, radiogenic phenomena and their socio-political implications in the
here and now.</span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://liu.se/en/employee/carel85" target="_blank" id="OWA152fcbce-2d71-e41e-e6b8-5f16f0cb875b" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Caroline Elgh</a></u></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> is
an art curator, writer, educator, and PhD researcher in Gender Studies at Linköping University. She forms part of the Eco- and BioArt Lab research team and is also Co-Director of the Posthumanities Hub. With background in cultural studies her work within the
fields of feminist environmental humanities, blue humanities and posthumanities explores postdisciplinary processes at the intersection of art, science, political ecology and speculative fiction. Previously as a curator at Bonniers Konsthall in Stockholm she
curated exhibitions and publications such as <i>Cosmological Arrows</i> that examined contemporary art’s relation to science fiction, ecology and technology.</span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://www.artsufartsu.net/" target="_blank" id="OWAe9a3fa5b-540a-665b-c20a-781e26ad8809" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Mari
Keski-Korsu</a></u></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> is a post-disciplinary researcher and artist whose work focuses on multispecies collaborations. The medium of expression is a hybrid combination of participatory performance,
visual and live art. Her practice involves intuitive interspecies communication, hydrobodily care in folk healing and walking methodologies to acknowledge relationality in sentient ecologies. She is a doctoral researcher (expected 2024) in
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://www.aalto.fi/fi" target="_blank" id="OWA4c21a8ef-3621-b18b-3917-fd94f3b6bf7c" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Aalto
University</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;">. Her research focuses on more-than-human ritualisations in change in the (sub)Arctic and especially the microbial life of permafrost.</span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://ninalykke.net/about/" target="_blank" id="OWA290e28c7-6910-f0c6-17d9-68f31237da66" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Nina
Lykke</a></u></b></span><span style="color: rgb(0, 0, 0);"><b>,</b></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> Professor Emerita, Gender Studies, Linköping University, Sweden, and Aarhus University, Denmark, is a queerfemme-inist philosopher-poet.
Current research: queer death studies, intersectionality, feminist posthumanism, queerfemme theory, queer ecologies, poetic writing. Author of numerous articles, edited volumes and monographs such as <i>Cosmodolphins</i> (2000),
<i>Feminist Studies</i> (2010), <i>Vibrant Death</i> (2022 ) and <i>Feminist Reconfigurings of Alien Encounters</i> (2024, with K.Aglert and L.Henrksen).</span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://mariettaradomska.com/" target="_blank" id="OWAc654664d-c394-17d8-a321-19a76504f0df" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Marietta
Radomska</a></u></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;">, PhD, Docent, is Associate Professor of Environmental Humanities at Linköping University; director of
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://ecobioartlab.net/" id="OWAa95c6953-9dea-9051-35fd-ff49d2bb0520" class="OWAAutoLink" style="color: var(--wp--preset--color--cyan-bluish-gray);">The
Eco- and Bioart Lab</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;">; co-founder of
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://queerdeathstudies.net/" target="_blank" id="OWA48f47653-52dc-bfd2-8481-2666cdae043f" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Queer
Death Studies Network</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;">; co-editor of the book series ‘Focus on More-than-human Humanities’ at Routledge (with C. Åsberg). She works at the intersection of environmental humanities, continental
philosophy, queer death studies, visual culture, contemporary art, and artistic research; and has published in
<i>Australian Feminist Studies</i>; <i>Somatechnics</i>; <i>Environment and Planning E</i>, and
<i>Artnodes</i>, among others.</span></div>
<figure style="margin-top: 0px; margin-bottom: 1em; clear: both; margin-block-end: 0px; text-align: center; display: table; color: rgb(218, 218, 218); font-family: Inter, sans-serif; font-size: 23.2px; font-weight: 500; margin-left: auto !important; margin-right: auto !important;" class="wp-block-image aligncenter size-large"><span style="font-family: Candara, Optima, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><img data-large-file="https://ecobioartlab.net/wp-content/uploads/2024/09/the-eco-and-bioart-lab-webinar-on-scentsory-foraging-the-eros-of-olfaction-in-multi-species-metabolisms-6.png?w=768" data-medium-file="https://ecobioartlab.net/wp-content/uploads/2024/09/the-eco-and-bioart-lab-webinar-on-scentsory-foraging-the-eros-of-olfaction-in-multi-species-metabolisms-6.png?w=225" data-image-caption="" data-image-description="" data-image-title="The Eco- and Bioart Lab Webinar on S(c)en(t)sory Foraging the eros of olfaction in multi-species metabolisms (6)" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-comments-opened="1" data-orig-size="3456,4608" data-orig-file="https://ecobioartlab.net/wp-content/uploads/2024/09/the-eco-and-bioart-lab-webinar-on-scentsory-foraging-the-eros-of-olfaction-in-multi-species-metabolisms-6.png" data-permalink="https://ecobioartlab.net/2024/09/18/state-of-the-art-elements-for-critical-thinking-and-doing-the-eco-and-bioart-lab-webinar-and-virtual-book-launch/the-eco-and-bioart-lab-webinar-on-scentsory-foraging-the-eros-of-olfaction-in-multi-species-metabolisms-6/" data-attachment-id="1490" width="768" style="width: 768px; height: auto; max-width: 100%; box-sizing: border-box; vertical-align: bottom;" src="https://ecobioartlab.net/wp-content/uploads/2024/09/the-eco-and-bioart-lab-webinar-on-scentsory-foraging-the-eros-of-olfaction-in-multi-species-metabolisms-6.png?w=768"></span></figure>
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<span style="background-color: rgb(255, 255, 255);">Dr. Marietta Radomska | Docent | Associate Professor of Environmental Humanities | Head of unit (Gender Studies) |</span><span style="background-color: rgb(255, 255, 255); line-height: normal;"> Director
of </span><span style="font-family: Calibri, sans-serif; color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://liu.se/en/research/the-eco-and-bioart-lab" title="https://liu.se/en/research/the-eco-and-bioart-lab" style="color: rgb(200, 38, 19); margin: 0px;">The
Eco- and Bioart Lab</a></span><span style="font-family: Calibri, sans-serif; background-color: rgb(255, 255, 255); line-height: normal;">:
</span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://ecobioartlab.net/" style="color: rgb(200, 38, 19);">https://ecobioartlab.net/</a></span><span style="color: rgb(134, 17, 6); background-color: rgb(255, 255, 255); line-height: normal;"> |
</span><span style="background-color: rgb(255, 255, 255); line-height: normal;">Founding Member of Queer Death Studies Network:
</span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://queerdeathstudies.wordpress.com/" class="ContentPasted0" style="color: rgb(200, 38, 19); margin: 0px;">https://queerdeathstudies.net/</a></span><span style="background-color: rgb(255, 255, 255); line-height: normal;"> |
Co-editor of </span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://www.routledge.com/More-Than-Human-Humanities/book-series/MTHH" title="https://www.routledge.com/More-Than-Human-Humanities/book-series/MTHH" style="color: rgb(200, 38, 19);">FOCUS
on More-Than-Human Humanities Book Series at Routledge</a></span><span style="background-color: rgb(255, 255, 255); line-height: normal;"> | Division of G</span><span style="background-color: rgb(255, 255, 255);">ender Studies (Tema Genus), Department of Thematic
Studies (Tema), Linköping University, SE-581 83 LINKÖPING, Sweden </span><span style="font-family: Calibri, sans-serif; background-color: rgb(255, 255, 255); line-height: normal;">|
</span><span style="background-color: rgb(255, 255, 255);">LiU web: </span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);"><a href="https://liu.se/en/employee/marra73" style="color: rgb(200, 38, 19); margin: 0px;">https://liu.se/en/employee/marra73</a></span><span style="background-color: rgb(255, 255, 255);"> |
Personal web: </span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);"><a href="https://mariettaradomska.com/" style="color: rgb(200, 38, 19); margin: 0px;">https://mariettaradomska.com/</a></span><span style="background-color: rgb(255, 255, 255);"> | E-mail:
</span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);">marietta.radomska@liu.se</span><span style="background-color: rgb(255, 255, 255);"> | tel. +46 (0) 13 28 6694</span></div>
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<b><i><u><a href="https://ecobioartlab.net/news-4/" title="https://ecobioartlab.net/news-4/" style="color: rgb(200, 38, 19);">CHECK OUT THE LATEST NEWS from The Eco- and Bioart Lab</a></u></i></b></div>
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<span style="font-size: 9pt;"><b><u>Select latest publications: </u></b></span></p>
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<p style="text-align: left; background-color: white; margin: 0cm;"><span style="font-family: Candara, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.3366/soma.2024.0433" title="https://doi.org/10.3366/soma.2024.0433" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">Mourning
the More-than-Human: Somatechnics of Environmental Violence, Ethical Imaginaries, and Arts of Eco-Grief</a></span><span style="font-family: Candara, sans-serif; font-size: 9pt; color: black;">. 2024.
<i>Somatechnics. </i>Special issue on the Somatechnics of Violence - part 2. 14 (2): 199-223.
</span><span style="font-family: Candara, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.3366/soma.2024.0433" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">https://doi.org/10.3366/soma.2024.0433</a></span></p>
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<p style="text-align: left; background-color: white; margin: 0cm; font-family: Candara, sans-serif; color: black;">
<span style="font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://journal.fi/rae/article/view/127532" title="https://journal.fi/rae/article/view/127532" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">Ecologies of Death, Ecologies
of Mourning: A Biophilosophy of Non/Living Arts</a></span><span style="font-size: 9pt; color: rgb(134, 17, 6);">.</span><span style="font-size: 9pt;"> 2023.
<i>Research in Arts & Education. </i>Special issue on Death 2/2023: 8-22. </span>
<span style="font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.54916/rae.127532" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">https://doi.org/10.54916/rae.127532</a></span></p>
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<span style="font-size: 9pt; color: rgb(200, 38, 19);"><br>
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<p style="text-align: left; background-color: white; margin: 0cm; font-family: Candara, sans-serif; color: black;">
<span style="font-size: 9pt; color: rgb(200, 38, 19);"><i><a href="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" title="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">State
of the Art: Elements for Critical Thinking and Doing</a></i></span><span style="font-size: 9pt;"> 2023. Book co-edited together with E. Berger, M. Keski-Korsu, and L. Thastum. Helsinki: Bioart Society.</span></p>
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<span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.1177/25148486211028542." title="https://doi.org/10.1177/25148486211028542." style="color: rgb(200, 38, 19); margin: 0px;">Fathoming
Postnatural Oceans: towards a low trophic theory in the practices of feminist posthumanities</a></span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt;">. 2021. With Cecilia Åsberg.
<i>Environment and Planning E: Nature and Space </i>(June 2021).</span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"> </span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);"><a href="https://doi.org/10.1177/25148486211028542" style="color: rgb(200, 38, 19); display: inline; margin: 0px; background-color: rgb(255, 255, 255);">https://doi.org/10.1177/25148486211028542</a></span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);">.</span><span style="font-size: 9pt;"> </span></p>
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<span style="font-size: 9pt; color: rgb(200, 38, 19); background-color: white; line-height: normal;"><a href="https://doi.org/10.1080/08164649.2020.1802697" title="https://doi.org/10.1080/08164649.2020.1802697" style="color: rgb(200, 38, 19); margin: 0px;">Deterritorialising
Death: Queerfeminist Biophilosophy and Ecologies of the Non/Living in Contemporary Art</a></span><span style="font-size: 9pt; background-color: white; line-height: normal;">.
</span><span style="font-size: 9pt; color: rgb(68, 68, 68); background-color: white; line-height: normal;">2020.
<i>Australian Feminist Studies </i>35(104): 116-137</span><span style="font-size: 9pt; color: rgb(134, 17, 6); background-color: white; line-height: normal;">. </span></p>
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<span style="font-size: 9pt; line-height: normal;"> </span></p>
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<span style="font-size: 9pt; color: rgb(200, 38, 19); background-color: white; line-height: normal;"><a href="https://doi.org/10.1080/08164649.2020.1811952" title="https://doi.org/10.1080/08164649.2020.1811952" style="color: rgb(200, 38, 19); margin: 0px;">Queer
Death Studies: Death, Dying and Mourning From a Queerfeminist Perspective</a></span><span style="font-size: 9pt; background-color: white; line-height: normal;">.</span><span style="font-size: 9pt; color: rgb(68, 68, 68); background-color: white; line-height: normal;"> </span><span style="font-size: 9pt; background-color: white; line-height: normal;">2020.
With Tara Mehrabi and Nina Lykke. <i>Australian Feminist Studies </i>35(104): 81-100. </span></p>
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<span style="font-size: 9pt; color: rgb(68, 68, 68); background-color: white; line-height: normal;"> </span></p>
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<span style="font-size: 9pt; line-height: normal;"><b><u>Other media:</u></b></span></p>
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<span style="font-size: 9pt; line-height: normal;">The Eco- and Bioart Lab </span>
<span style="font-size: 9pt; color: rgb(200, 38, 19); line-height: normal;"><b><i><a href="https://www.youtube.com/@EcoBioartLab" title="https://www.youtube.com/@EcoBioartLab" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">YouTube channel</a></i></b></span></p>
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<span style="font-size: 9pt; line-height: normal;">Check out a report from our symposium
</span><span style="font-size: 9pt; color: rgb(200, 38, 19); line-height: normal;"><b><i><a href="https://queerdeathstudies.net/2023/04/04/visual-report-ecologies-of-death-ecologies-of-mourning-vol-i/" title="https://queerdeathstudies.net/2023/04/04/visual-report-ecologies-of-death-ecologies-of-mourning-vol-i/" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">ECOLOGIES
OF DEATH, ECOLOGIES OF MOURNING: VOL. I</a></i></b></span></p>
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