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Dear all,</div>
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<span style="color: rgb(0, 0, 0); font-weight: 500;">It is our great pleasure to invite you all to join us at
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://bonnierskonsthall.se/en/" target="_blank" id="OWA2366b141-6752-a145-810f-b79ff8eaf6df" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Bonniers
Konsthall</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> in Stockholm for this very special event organised collaboratively by Bonniers Konsthall and The Eco- and Bioart Lab: a panel discussion and a book launch of
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><i><u><a href="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" target="_blank" id="OWAea94b198-57ce-6b45-7e33-80fc0ac2e07d" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">State
of the Art – Elements for Critical Thinking and Doing</a></u></i></span><span style="color: rgb(0, 0, 0); font-weight: 500;">. </span></div>
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<span style="font-weight: 500;">Please, feel free to pass this invitation to anyone who might be interested.</span></div>
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<span style="font-weight: 500;">The event takes place on </span><span style="background-color: rgb(255, 128, 0);"><b>30th October 2024 at 18:00 CET</b></span><b> at Bonniers Konsthall, Torsgatan 19, 113 21 Stockholm, SE.</b></div>
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<span style="color: rgb(0, 0, 0); font-weight: 500;">Check out the original </span>
<span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://bonnierskonsthall.se/en/event/state-of-the-art-crisis-imaginaries-techno-utopias-or-possible-sustainable-futures/" id="OWA6abdabfa-f97e-5230-c3dd-905c705736ab" class="OWAAutoLink" style="color: var(--wp--preset--color--cyan-bluish-gray);">EVENT
PAGE and learn how to REGISTER</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;">.</span></div>
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<span style="font-weight: 600;">State of The Art: Crisis imaginaries, Techno-utopias, or Possible (Sustainable) Futures?: A panel discussion and a book launch of
<i>State of the Art – Elements for Critical Thinking and Doing</i></span></div>
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<b>Speakers</b><span style="font-weight: 500;">: Ionat Zurr, Nina Lykke, Meike Schalk, Caroline Elgh<br>
</span><b>Moderator</b><span style="font-weight: 500;">: Marietta Radomska</span></div>
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<span style="font-weight: 500;">Today, hope becomes hard work. Climate change, destruction of ecosystems, loss of biodiversity, wars, epidemics, and slow environmental violence evoke feelings of anxiety, anger and grief, manifested both globally and locally
in culture, popular science, environmental activism, and art. With global warming unfolding in the Arctic four times faster than in the rest of the planet and the Baltic Sea turning into the largest ‘dead zone’ in the world, environmental crisis is acutely
present in the social and cultural awareness close to home. </span></div>
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<span style="font-weight: 500;">Through various mediums, forms, and manifestations, art forges its own creative and critical arenas. These are the spaces where more-than-human crises are being re/imagined, where bio-and techno-utopias rise and fall, where care
becomes a lesson, and where visions of possible futures are continuously mobilised and contested. </span></div>
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<span style="font-weight: 500;">Combining perspectives from such fields as Art/Science, environmental humanities, literature, architecture and design, as well as art-curatorial practice, the panellists will zoom in on the complex positioning, role, and potential
of art and creative practices in the times of change, transformation, and uncertainty. </span></div>
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<span style="color: rgb(0, 0, 0); font-weight: 500;">The panel is combined with the launch of the book
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><i><u><a href="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" id="OWA58051754-fa02-db75-4b28-9ef98d0ba819" class="OWAAutoLink" style="color: var(--wp--preset--color--cyan-bluish-gray);">State
of the Art – Elements for Critical Thinking and Doing</a></u></i></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> (Helsinki 2023). Published by
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://bioartsociety.fi/" target="_blank" id="OWA7aaae758-6327-2d4c-7497-dc2b84493ab1" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Bioart
Society</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> and </span>
<span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://bioartsociety.fi/projects/state-of-the-art-network" id="OWAd3f2a787-5c18-afe0-87b1-91661248fb7d" class="OWAAutoLink" style="color: var(--wp--preset--color--cyan-bluish-gray);">State
of the Art Network</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;">, the volume takes a closer look at how practising artists, researchers, cultural actors, and engaged audiences can create elements for critical thinking and doing which
can assist all of us in navigating the complexities of the present.</span></div>
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<span style="font-weight: 500;">In English.</span></div>
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<span style="font-weight: 500;">The panel is organised by Bonniers Konsthall and The Eco- and Bioart Lab. The event is supported by FORMAS – A Swedish Research Council for Sustainable Development [grant number 2022-01728].</span></div>
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<span style="font-weight: 600;">Biographies</span></div>
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<span style="color: rgb(0, 0, 0); font-weight: 500;">Associate Professor</span><span style="color: rgb(0, 0, 0);"><b> </b></span><span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://research-repository.uwa.edu.au/en/persons/ionat-zurr" target="_blank" id="OWA78d05738-6bc5-5640-06e4-308a4b0c65e3" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Ionat
Zurr</a></u></b></span><span style="color: rgb(0, 0, 0);"><b> </b></span><span style="color: rgb(0, 0, 0); font-weight: 500;">is the Chair of the Fine Arts Discipline at the School of Design, The University of Western Australia. She is an artist-researcher,
who formed the </span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><i><u><a href="https://tcaproject.net/" target="_blank" id="OWA0a5c6ed7-b0ce-df94-92bb-cf86d766a1b3" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Tissue
Culture & Art Project</a></u></i></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> in 1996 which led to the establishment of SymbioticA: the Centre of Excellence in Biological Arts. Zurr’s collaborative ideas and projects reach beyond the confines
of art and is often cited as an inspiration to diverse areas such as new materials, textiles, design, architecture, ethics, fiction, and food. Her co-authored book
<i>Tissues, Cultures, Art</i> (Palgrave McMillan) was published in 2023. </span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://ninalykke.net/" target="_blank" id="OWA1889cc29-1337-a590-ab7f-c0728f19b6a1" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Nina
Lykke</a></u></b></span><span style="color: rgb(0, 0, 0);"><b> </b></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> is a poet-philosopher and Professor Emerita of Gender Studies at Linköping University, Sweden, and Adjunct Professor at Aarhus University,
Denmark. She* has participated in the building of Feminist Studies in Scandinavia and Europe more broadly since the 1970s. She* is co-founder of the International Network for Queer Death Studies. Her* monographs include:
<i>Cosmodolphins</i> (2000), <i>Feminist Studies</i> (2010), and <i>Vibrant Death
</i>(2022). </span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://www.kth.se/profile/meike" target="_blank" id="OWAb1713ff9-1ee9-f3c7-01a2-4a8622a47325" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Meike
Schalk</a></u></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> is an architect and Associate Professor in Urban Design and Urban Theory at KTH School of Architecture. Her research combines feminist inquiry into affects and effects of the current
economical, physical, and social transformations of welfare housing; emerging scales of post-welfare landscapes; and environmental learning with practice-oriented research methods. Schalk is a member of the Artistic Research committee at the Swedish Research
Council. She is a co-initiator of Aktion Arkiv.org </span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray); background-color: rgb(255, 255, 255);"><b><u><a href="https://liu.se/en/employee/carel85" target="_blank" id="OWA37270dd6-e815-46d8-4784-bf1342f06266" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray); margin: 0px;">Caroline
Elgh</a></u></b></span><span style="color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-weight: 500;"> is an art curator, writer, educator, and PhD researcher in gender studies at Tema Genus, Linköping University. Her work within the fields of
feminist environmental humanities, blue humanities and posthumanities explores postdisciplinary processes at the intersection of art, science, political ecology and speculative fiction. Since 2024 she is Co-Director of the multi-university platform The Posthumanities
Hub. Previously she has been working as a curator at Bonniers Konsthall.</span></div>
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<span style="color: var(--wp--preset--color--cyan-bluish-gray);"><b><u><a href="https://mariettaradomska.com/" target="_blank" id="OWAfbcbfb53-9532-d049-28f5-df477ec76661" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Marietta
Radomska</a></u></b></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> is an Associate Professor of Environmental Humanities at Linköping University; director of
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://ecobioartlab.net/" id="OWAa03a3117-1caf-54cd-9a07-b05624025375" class="OWAAutoLink" style="color: var(--wp--preset--color--cyan-bluish-gray);">The
Eco-and Bioart Lab;</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;"> co-founder of
</span><span style="color: var(--wp--preset--color--cyan-bluish-gray); font-weight: 500;"><u><a href="https://queerdeathstudies.net/" target="_blank" id="OWAea4640e9-624d-a867-d6c3-d0ca4dd72e48" class="OWAAutoLink" rel="noreferrer noopener" style="color: var(--wp--preset--color--cyan-bluish-gray);">Queer
Death Studies Network</a></u></span><span style="color: rgb(0, 0, 0); font-weight: 500;">; and co-editor of the book
<i>State of the Art: Elements for Critical Thinking and Doing </i>(2023). She works at the intersection of environmental humanities, continental philosophy, queer death studies, visual culture, and artistic research; and has published in
<i>Australian Feminist Studies</i>; <i>Somatechnics</i>; and <i>Artnodes</i>, among others. </span></div>
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Read more: <a href="https://ecobioartlab.net/2024/10/07/state-of-the-art-crisis-imaginaries-techno-utopias-or-possible-sustainable-futures-panel-discussion-at-bonniers-konsthall/">
https://ecobioartlab.net/2024/10/07/state-of-the-art-crisis-imaginaries-techno-utopias-or-possible-sustainable-futures-panel-discussion-at-bonniers-konsthall/</a></div>
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<span style="background-color: rgb(255, 255, 255);">Dr. Marietta Radomska | Docent | Associate Professor of Environmental Humanities | Head of unit (Gender Studies) |</span><span style="background-color: rgb(255, 255, 255); line-height: normal;"> Director
of </span><span style="font-family: Calibri, sans-serif; color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://liu.se/en/research/the-eco-and-bioart-lab" title="https://liu.se/en/research/the-eco-and-bioart-lab" style="color: rgb(200, 38, 19); margin: 0px;">The
Eco- and Bioart Lab</a></span><span style="font-family: Calibri, sans-serif; background-color: rgb(255, 255, 255); line-height: normal;">:
</span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://ecobioartlab.net/" style="color: rgb(200, 38, 19);">https://ecobioartlab.net/</a></span><span style="color: rgb(134, 17, 6); background-color: rgb(255, 255, 255); line-height: normal;"> |
</span><span style="background-color: rgb(255, 255, 255); line-height: normal;">Founding Member of Queer Death Studies Network:
</span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://queerdeathstudies.wordpress.com/" class="ContentPasted0" style="color: rgb(200, 38, 19); margin: 0px;">https://queerdeathstudies.net/</a></span><span style="background-color: rgb(255, 255, 255); line-height: normal;"> |
Co-editor of </span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255); line-height: normal;"><a href="https://www.routledge.com/More-Than-Human-Humanities/book-series/MTHH" title="https://www.routledge.com/More-Than-Human-Humanities/book-series/MTHH" style="color: rgb(200, 38, 19);">FOCUS
on More-Than-Human Humanities Book Series at Routledge</a></span><span style="background-color: rgb(255, 255, 255); line-height: normal;"> | Division of G</span><span style="background-color: rgb(255, 255, 255);">ender Studies (Tema Genus), Department of Thematic
Studies (Tema), Linköping University, SE-581 83 LINKÖPING, Sweden </span><span style="font-family: Calibri, sans-serif; background-color: rgb(255, 255, 255); line-height: normal;">|
</span><span style="background-color: rgb(255, 255, 255);">LiU web: </span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);"><a href="https://liu.se/en/employee/marra73" style="color: rgb(200, 38, 19); margin: 0px;">https://liu.se/en/employee/marra73</a></span><span style="background-color: rgb(255, 255, 255);"> |
Personal web: </span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);"><a href="https://mariettaradomska.com/" style="color: rgb(200, 38, 19); margin: 0px;">https://mariettaradomska.com/</a></span><span style="background-color: rgb(255, 255, 255);"> | E-mail:
</span><span style="color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);">marietta.radomska@liu.se</span><span style="background-color: rgb(255, 255, 255);"> | tel. +46 (0) 13 28 6694</span></div>
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<b><i><u><a href="https://ecobioartlab.net/news-4/" title="https://ecobioartlab.net/news-4/" style="color: rgb(200, 38, 19);">CHECK OUT THE LATEST NEWS from The Eco- and Bioart Lab</a></u></i></b></div>
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<span style="font-size: 9pt;"><b><u>Select latest publications: </u></b></span></p>
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<p style="text-align: left; background-color: white; margin: 0cm;"><span style="font-family: Candara, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.3366/soma.2024.0433" title="https://doi.org/10.3366/soma.2024.0433" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">Mourning
the More-than-Human: Somatechnics of Environmental Violence, Ethical Imaginaries, and Arts of Eco-Grief</a></span><span style="font-family: Candara, sans-serif; font-size: 9pt; color: black;">. 2024.
<i>Somatechnics. </i>Special issue on the Somatechnics of Violence - part 2. 14 (2): 199-223.
</span><span style="font-family: Candara, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.3366/soma.2024.0433" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">https://doi.org/10.3366/soma.2024.0433</a></span></p>
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<p style="text-align: left; background-color: white; margin: 0cm; font-family: Candara, sans-serif; color: black;">
<span style="font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://journal.fi/rae/article/view/127532" title="https://journal.fi/rae/article/view/127532" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">Ecologies of Death, Ecologies
of Mourning: A Biophilosophy of Non/Living Arts</a></span><span style="font-size: 9pt; color: rgb(134, 17, 6);">.</span><span style="font-size: 9pt;"> 2023.
<i>Research in Arts & Education. </i>Special issue on Death 2/2023: 8-22. </span>
<span style="font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.54916/rae.127532" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">https://doi.org/10.54916/rae.127532</a></span></p>
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<span style="font-size: 9pt; color: rgb(200, 38, 19);"><br>
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<p style="text-align: left; background-color: white; margin: 0cm; font-family: Candara, sans-serif; color: black;">
<span style="font-size: 9pt; color: rgb(200, 38, 19);"><i><a href="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" title="https://bioartsociety.fi/projects/publications/pages/state-of-the-art-elements-for-critical-thinking-and-doing" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">State
of the Art: Elements for Critical Thinking and Doing</a></i></span><span style="font-size: 9pt;"> 2023. Book co-edited together with E. Berger, M. Keski-Korsu, and L. Thastum. Helsinki: Bioart Society.</span></p>
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<p style="text-align: left; background-color: white; margin: 0cm; font-family: Candara, sans-serif; color: black;">
<span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"><a href="https://doi.org/10.1177/25148486211028542." title="https://doi.org/10.1177/25148486211028542." style="color: rgb(200, 38, 19); margin: 0px;">Fathoming
Postnatural Oceans: towards a low trophic theory in the practices of feminist posthumanities</a></span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt;">. 2021. With Cecilia Åsberg.
<i>Environment and Planning E: Nature and Space </i>(June 2021).</span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(200, 38, 19);"> </span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(200, 38, 19); background-color: rgb(255, 255, 255);"><a href="https://doi.org/10.1177/25148486211028542" style="color: rgb(200, 38, 19); display: inline; margin: 0px; background-color: rgb(255, 255, 255);">https://doi.org/10.1177/25148486211028542</a></span><span style="font-family: Candara, Optima, sans-serif; font-size: 9pt; color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);">.</span><span style="font-size: 9pt;"> </span></p>
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<span style="font-size: 9pt; color: rgb(200, 38, 19); background-color: white; line-height: normal;"><a href="https://doi.org/10.1080/08164649.2020.1802697" title="https://doi.org/10.1080/08164649.2020.1802697" style="color: rgb(200, 38, 19); margin: 0px;">Deterritorialising
Death: Queerfeminist Biophilosophy and Ecologies of the Non/Living in Contemporary Art</a></span><span style="font-size: 9pt; background-color: white; line-height: normal;">.
</span><span style="font-size: 9pt; color: rgb(68, 68, 68); background-color: white; line-height: normal;">2020.
<i>Australian Feminist Studies </i>35(104): 116-137</span><span style="font-size: 9pt; color: rgb(134, 17, 6); background-color: white; line-height: normal;">. </span></p>
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<span style="font-size: 9pt; line-height: normal;"> </span></p>
<p style="text-align: left; line-height: 17.6px; background-color: rgb(255, 255, 255); margin: 0cm; font-family: Candara, sans-serif; color: black;">
<span style="font-size: 9pt; color: rgb(200, 38, 19); background-color: white; line-height: normal;"><a href="https://doi.org/10.1080/08164649.2020.1811952" title="https://doi.org/10.1080/08164649.2020.1811952" style="color: rgb(200, 38, 19); margin: 0px;">Queer
Death Studies: Death, Dying and Mourning From a Queerfeminist Perspective</a></span><span style="font-size: 9pt; background-color: white; line-height: normal;">.</span><span style="font-size: 9pt; color: rgb(68, 68, 68); background-color: white; line-height: normal;"> </span><span style="font-size: 9pt; background-color: white; line-height: normal;">2020.
With Tara Mehrabi and Nina Lykke. <i>Australian Feminist Studies </i>35(104): 81-100. </span></p>
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<span style="font-size: 9pt; color: rgb(68, 68, 68); background-color: white; line-height: normal;"> </span></p>
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<span style="font-size: 9pt; line-height: normal;"><b><u>Other media:</u></b></span></p>
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<span style="font-size: 9pt; line-height: normal;"><b><br>
</b></span></p>
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<span style="font-size: 9pt; line-height: normal;">The Eco- and Bioart Lab </span>
<span style="font-size: 9pt; color: rgb(200, 38, 19); line-height: normal;"><b><i><a href="https://www.youtube.com/@EcoBioartLab" title="https://www.youtube.com/@EcoBioartLab" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">YouTube channel</a></i></b></span></p>
<p style="text-align: left; line-height: 17.6px; background-color: rgb(255, 255, 255); margin: 0cm; font-family: Candara, sans-serif; color: black;">
<span style="font-size: 9pt; line-height: normal;">Check out a report from our symposium
</span><span style="font-size: 9pt; color: rgb(200, 38, 19); line-height: normal;"><b><i><a href="https://queerdeathstudies.net/2023/04/04/visual-report-ecologies-of-death-ecologies-of-mourning-vol-i/" title="https://queerdeathstudies.net/2023/04/04/visual-report-ecologies-of-death-ecologies-of-mourning-vol-i/" style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;">ECOLOGIES
OF DEATH, ECOLOGIES OF MOURNING: VOL. I</a></i></b></span></p>
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